The name of James Patterson is ubiquitous. Go to any hotel or cruise ship pool in summer, and you’ll see someone reading a Patterson thriller. A former ad man, he is now the reigning king of pop fiction superstars, and lives part of the year in Palm Beach, Florida. I once met him at Book Expo America. His numerous books includes INVISIBLE, co-written with David Ellis, and read by Kevin T. Collins. PRIVATE GAMES was set at the London Olympic games in 2012, it’s about a terrorist named Cronus who wants to restore the games to their ancient “glory” by destroying the modern games of greed and corruption. A private security firm investigates, with newspaper reporter Karen Pope on the case. ZOO was a TV series. And THE PRESIDENT IS MISSING is due 6/4/18. Preorder HERE.
JONATHAN LOWE: What led you to writing? Were you a voracious reader?
JAMES PATTERSON: I was a good student in high school, but I didn’t like to read at all. I’m still not a big fan of Silas Marner. Just after I graduated from high school, I got a job working at a famous mental hospital. I had a lot of free time, and I started reading everything I could get my hands on. At this point, I was reading serious fiction, poetry, essays, plays. I still didn’t read any commercial fiction. When I was in my twenties I read two commercial novels that turned it all around for me–Day of the Jackal and The Exorcist. At that point, I decided that I wanted to write a novel that readers would find almost impossible to put down.
Q: What was your reaction to the success of “Along Came a Spider?”
A: Long before I had a success with “Along Came A Spider,” I had learned to stop and smell the roses. Consequently, I savored every moment when Along Came A Spider hit the bestseller lists. That included every bookstore I visited on tour, every interview, every kind review.
Q: Was the Alex Cross character your first choice as protagonist? How and why did you develop him to be who he is?
A: Actually, when I began “Along Came A Spider,” Alex Cross was a woman. I wrote about fifty pages, and decided to go in another direction. I’ve told the story about where the Cross family came from, but I’m happy to tell it again. When I was a kid growing up in Newburgh, New York, my grandparents owned a small restaurant. The cook was a black woman named Laura. When I was three or four, she was having trouble with her husband and my parents urged her to move in with us. Over the next four years, I spent incredible amounts of time with Laura and her family. I got an incredible feeling for the warmth and good humor that they shared. That certainly influenced my creating the Cross family.
Q: Did you begin by thinking of Alex as a series character? Coming up with nursery rhymes as titles is obviously good for name recognition, but how much did they influence the actual plotting?
A: When I wrote “Along Came A Spider” I wasn’t thinking about creating a series. The publisher wanted to make a two-book deal, and the more I thought about writing about Alex again, the more I liked it. I don’t think the nursery rhymes have much to do with the plotting at all.
Q: Nor do I. One thing which strikes me about your books is your creative use of short chapters for dramatic effect. Knowing when and where to end a chapter which leaves the reader guessing or biting their nails or just staring at the page in shock. Two of your chapters in ROSES ARE RED are mere one liners, which explains a total of 125 chapters in a relatively short book. When your wife asks how much you’ve written today and you say “two chapters” doesn’t she just stare at you?
A: The short chapters were kind of an accident. I had written about thirty chapters of The Midnight Club and I expected to flesh them out later. When I read them, however, I liked the pacing a lot. I eventually fleshed the chapters out, but not as much as I planned to. My wife and I never talk about the quantity of work I’ve done on any given day, just the quality.
Q: Please describe, say, ROSES ARE RED.
A: You get on a roller coaster, it goes on and on for six or seven hours, you can’t believe how many twists and turns you’ve experienced, and when the ride finally stops you get off exhausted, shaken, but strangely satisfied.
Q: Do actual true crimes and criminals inspire you to create psychos like “The Mastermind?”
A: Not really.
Q: In that case, do you think you’re ever going to write a sweet historical romance or western?
A: Actually, I’ve written a very sweet romance, a five-handkerchief story, called Suzanne’s Diary for Nicholas. When I told the story to my publishers, everyone in the room cried. I spent incredible amounts of time with Laura and her family. I got an incredible feeling for the warmth and good humor that they shared. That certainly influenced my creating the Cross family.
Q: Do you listen to audiobooks on the road?
A: Ever since I moved out of New York City, I’ve been addicted to audiobooks. I listen to one or two a week while I’m driving around town. Generally, I listen to the books that I used to buy, but never get around to reading.
PLOT of THE PRESIDENT IS MISSING:
The White House is the home of the President of the United States, the most guarded, monitored, closely watched person in the world. So how could a U.S. President vanish without a trace? And why would he choose to do so? An unprecedented collaboration between President Bill Clinton and the world’s bestselling novelist, James Patterson, The President Is Missing is a breathtaking story from the pinnacle of power. Full of what it truly feels like to be the person in the Oval Office—the mind-boggling pressure, the heartbreaking decisions, the exhilarating opportunities, the soul-wrenching power—this is the thriller of the decade, confronting the darkest threats that face the world today, with the highest stakes conceivable.